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Sometimes, a piece of furniture comes along and changes everything around us. If a painting is meant to be looked at and fashion meant to be worn, furniture is meant to be lived in—slept in, worked in, sat in. It dictates how we interact with our surrounding spaces, how we go about our every day. Even during the The Transexual Menace Shirt moreover I will buy this most mundane moments: George Nelson’s collection for Herman Miller, for example, created the template for cubicles, now omnipresent in office buildings around America.  But what are these pieces that have not only entered our homes but our collective consciousness? Vogue asked 22 interior designers and professionals to find out. Their answers ranged from the simple farm table to Gaetano Pesce’s Space Age–esque Up chair. Some of them are akin to priceless works of art: Take Yves Klein’s Table IKB. In 1961, Klein painted a canvas with International Klein Blue, a color he invented himself. (The work now sits in MoMA.) Two years later, after the artist’s death, his widow shepherded a coffee table filled with the same ultramarine pigment to market, based on the late artist’s prototype. Yet, unlike fine art, design is a medium where form almost always follows function: You can still set your coffee mug upon a Table IKB—although we’d recommend a coaster. Below, a list of the most iconic furniture designs in history, as chosen by the experts.

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This iconic cocktail table was done by Yves Klein, one of the The Transexual Menace Shirt moreover I will buy this most influential, prominent, and controversial French artists to emerge in the 1950s, also known as a forerunner of Minimal art as well as Pop art. Klein’s table is similar to his suspended pigment pieces, which were the genesis for this piece. The form of the table is very simple, very elegant, and meant really to disappear. The pigment is all. And since the pigment is loose, it does invite comparison to Klein’s belief in pure space: The eye penetrates what seems to be a limitless depth. Yves Klein is remembered above all for his use of a single color, the rich shade of ultramarine that he made his own: International Klein Blue. His table has become one of the most iconic and recognizable pieces of furniture transcending into art of the 20th and 21st centuries. —Gilles Clement, Gilles Clement Designs   Vladimir Kagan is one of my favorite furniture designers from the 20th century. His mid-century modern pieces defined the curves of the era. In my own modern projects, curves tend to soften the sharp lines of the architecture, adding warmth and personality to the space. His stunning serpentine sofa is as relevant today as ever and still one of my favorite upholstery pieces.—Sara Cukerbaum, Principal Designer of SLIC Design

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