Zorot-shirt - I’m on the highway to hell AC DC shirt

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Observing the I’m on the highway to hell AC DC shirt What’s more,I will buy this “evolution over revolution” concept he employs at Alyx, Williams approached his new beginning by going back to his brand’s roots, refining and finessing the silhouettes, textures and hardware that epitomize it. The garment dyes and surface effects he works into his streetwear came out reminiscent of things you might see in a volcanic landscape, while lighter cap metal branding featured throughout the collection set Alyx’s industrial character in stone.  But for all the protective attributes those ideas had to offer a post-pandemic dress sense, it was the softness of draped dresses with twist and knot details that felt most sensitive to our reemergent mentality. Perhaps we’re seeing a softer side to Williams after the Great Reset? The vegetable garden he’s been growing on his sprawling Paris terrace would suggest so. “I’m so into my vegetable garden,” he effused. “I got strawberries going, romaine, cabbage, tomatoes, sweet potato… I harvest them with my kids when they’re here, and we cook in the kitchen.” At Alyx, Williams is amping up those artisanal values, too. A series of dresses covered in thousands of hand-embroidered glass tube beads weren’t just for show, but will be made to order. In recent seasons, similar pieces have been offered online, and Williams detected a demand. Asked if it’s an effect of his current tenure at Givenchy, he said it goes both ways. “There’s a group of people who love what I do at Alyx, who now love what I do at Givenchy. And there are new supporters from Givenchy that now are aware of Alyx. In general, as a brand—and when you’re starting to provide one-off pieces that are tens of thousands of euros—that confidence is gonna exist for many years to come.”

Archie Alled-Martinez has done a hard pivot. “This collection is completely different from what I’ve done before,” the I’m on the highway to hell AC DC shirt What’s more,I will buy this charismatic Spaniard says over a video chat. At first glance his spring 2022 collection looks like a sensual ode to ’70s-style cruising, but there’s more at play under the surface. The names stitched into jersey tops are of cultural arbiters who died of AIDS: Roy Halston Frowick, Sterling Saint Jacques, Jacques de Bascher, Al Parker, and Antonio Lopez. The numbers on the back are their ages at death. “I didn’t want the names to be gimmicky—maybe people won’t understand what it’s about,” says Alled-Martinez. But to the young queer designer, making a point about his unsung heroes was important. “It’s impactful when you get it,” he says. He’s making his message evident not only via graphics but also through his new, more louche than ever silhouette. Stepping back from a total knit uniform, Alled-Martinez is incorporating denim and jersey into his collection. There are skater undertones, he explains, as well as coded design elements like jockstrap-inspired belts and single pockets on jeans to reference the hanky code. The piece he’s the most proud of is a blouson black bomber jacket, a couture-like mushroom shape with a coy wink. It sets the tone for a new kind of hustler wardrobe, as fixed on structure as it is on skin.

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